Threshold Study II
by Zoé T. Vizcaíno
The landscape does not represent the real physical space, but rather the liquid surface that reflects it. I use the reflection in order to create a third representation where both posibilities converge.
Despite its complex appearance, each image is
invariably the result of one single shot; there is no subsequent editing.
In THRESHOLD STUDY II, the intervention is no longer coincidental. A stone violently burst onto the scene and causes the accident: the implosion – an act of breaking inwards-. The quietude and stillness are interrupted and a hole serves to threaten that idyllic landscape. The violent contact between the stone and the water, brings a new forefront to the image that accentuates the sense of depth and profundity and hence three-dimensionality while at the same time breaking the possibility of being so, because it proves the liquid quality of the visible reality.
Despite its complex appearance, each image is
invariably the result of one single shot; there is no subsequent editing.
In THRESHOLD STUDY II, the intervention is no longer coincidental. A stone violently burst onto the scene and causes the accident: the implosion – an act of breaking inwards-. The quietude and stillness are interrupted and a hole serves to threaten that idyllic landscape. The violent contact between the stone and the water, brings a new forefront to the image that accentuates the sense of depth and profundity and hence three-dimensionality while at the same time breaking the possibility of being so, because it proves the liquid quality of the visible reality.
| Tags | conceptual, landscape, subversive , research, series, large format |
| Technique | Photography |
