The project begins with a decision: All contents of the exhibition are delegated to a fortune-teller. From this initial premise, that can be understood as a kind of programmed absence of authorship, a sinuous process is triggered and will be extended for one year. So I look for clairvoyance professionals to request a detailed work plan until finally I meet with a soothsayer that gives me a concrete vision of the exhibition space installation. For months, I develop these pieces and make the exhibition as thoroughly and accurately as possible. But near the opening, a doubt about the pertinence the gesture and the need to intervene in the situation arises.